Showing posts with label Revision. Show all posts
Showing posts with label Revision. Show all posts

Saturday, April 4, 2009

Revision and Reading

I've been working on revisions in earnest today. I am in the midst of drafting a ten-part poem, in conjunction with a ten-week workshop I signed on to participate in this spring. So it's helpful to counterbalance the new with the familiar.

Also, trying to read even more . . . lately I've been drawn to Charles Harper Webb (someone I don't know) and back to Reginald Shepherd (someone I have read over the years). There are so many poets whose work I only glancingly know.


Sunday, January 25, 2009

On the Posting of Revisions

My brother, Walt, suggested it might be interesting to use the blog as a tool for posting revisions to initial drafts I've composed on the blog. I am still experimenting with the use of the blog as a catalyst for creating drafts. Over the past month I've tended not to use it for creating initial drafts (back to using pen, paper, and/or computer files) . . . with the exception of my thoughts on the inauguration . . . captured in the form of a short poem.  

This afternoon I pulled up a copy of an initial draft I composed on the blog on Christmas Day. I find that I can look at new efforts for the first time after about a month. I still haven't got enough distance to revise them objectively (and harshly) enough, but I can start at that process. 

For whatever unclear reason, I've decided to put this initial revision on the blog. 


Messiah Matters

Rooms along the street 
filled with evergreen fragrance
temporary as youth. Promise
day: promised hope 
to celebrate, 
appreciate. The day marks 
another rung to hold the foot on 
before waking 
to a new neighborhood 
of descent. We carve away
the pink flesh from a pig's bone, 
while the more au courant 
bless tofurkey 
to evolution's halting struggle. 

Over prayers, it's strange
to recall that the Argentine air force
would fly drugged innocents 
over the Atlantic, strip them
to skin and toss
them into the blue.
Words welded into weapons,
the military turned every nuance
black and claimed it beauty.
Such a litany, a liturgy
for the redemptive urge
of paranoia. Junior officers
pardoned years later, to walk
the streets with mothers searching
shop windows for children's reflections.
Wouldn't we be shocked 

to find a trench coat and unmarked
van outside the front door?
The whirlwind hovers
in history's porous murk, ready
to snuff civility's lantern.
In the minds of disgruntled cousins,
a mantra regains voice . . . break
the necks necessary
to restore the balance that others
hoard in their vaults
and mansions. Here comes
a new year. Maybe harmony
will bubble forth, all judgments
postponed, salvation's broken tire
patched, and the journey turned
into just the adventure 
each child senses 
living might become. 

Sunday, November 30, 2008

"My Mammogram" by J.D. McClatchy

I've been re-reading poems I like. 

I like poems that are messy, in that they are not perfectly manicured. They retain a vibrancy that excessive revision might expunge. 

Which is not to say that the poem following is not carefully crafted. It is. (Any poem with intricate end rhymes and consistent stanza structure has been worked meticulously).

But reading it again after several years, I find parts that feel less effective to me. Does that make the poem any less wonderful? No, actually, it doesn't. It makes this poem triumphantly singular . . . in that it is the poem that it is, and, for me, it is still a pleasure to engage. 

My Mammogram

I.
In the shower, at the shaving mirror or beach,
For years I'd led . . . the unexamined life?
When all along and so easily within reach
(Closer even than the nonexistent wife)

Lay the trouble---naturally enough
Lurking in a useless, overlooked
Mass of fat and old newspaper stuff
About matters I regularly mistook

As a horror story for the opposite sex,
Nothing to do with what at my downtown gym
Are furtively ogled as The Guy's Pecs.

But one side is swollen, the too tender skin
Discolored. So the doctor orders an X-
Ray, and nervously frowns at my nervous grin.

II.
Mammography's on the basement floor.
The nurse has an executioner's gentle eyes.
I start to unbutton my shirt. She shuts the door.
Fifty, male, already embarrassed by the size

Of my "breasts," I'm told to put the left one
Up on a smudged, cold, Plexiglas shelf,
Part of a robot half menacing, half glum,
Like a three-dimensional model of the Freudian self.

Angles are calculated. The computer beeps.
Saucers close on a flatness further compressed.
There's an ache near the heart neither dull nor sharp.

The room gets lethal. Casually the nurse retreats
Behind her shield. Anxiety as blithely suggests
I joke about a snapshot for my Christmas card.

III.
"No signs of cancer," the radiologist swans
In to say---with just a hint in his tone
That he's done me a personal favor---whereupon
His look darkens. "But what these pictures show . . .

Here, look, you'll notice the gland on the left's
Enlarged. See?" I see an aerial shot
Of Iraq, and nod. "We'll need further tests,
Of course, but I'd bet that what you've got

Is a liver problem. Trouble with your estrogen
Levels. It's time, my friend, to take stock.
It happens more often than you'd think to men."

Reeling from its millionth Scotch on the rocks,
In other words, my liver's sensed the end.
Why does it come as something less than a shock?

IV.
The end of life as I've known it, that is to say---
Testosterone sported like a power tie,
The matching set of drives and dreads that may
Now soon be plumped to whatever new designs

My apparently resentful, androgynous
Inner life has on me. Blind seer?
The Bearded Lady in some provincial circus?
Something that others both desire and fear.

Still, doesn't everyone long to be changed,
Transformed to, no matter, a higher or lower state,
To know the leathery D-Day hero's strange

Detachment, the queen bee's dreamy loll?
Oh, but the future each of blankly awaits
Was long ago written on the genetic wall.

V. 
So suppose the breasts fill out until I look
Like my own mother . . . ready to nurse a son,
A version of myself, the infant understood
In the end as the way my own death had come.

Or will I in a decade be back here again,
The diagnosis this time not freakish but fatal?
The changes in one's later years all tend,
Until the last one, toward the farcical,

Each of us slowly turned into something that hurts,
Someone we no longer recognize.
If soul is the final shape I shall assume,

(---A knock at the door. Time to button my shirt
And head back out into the waiting room.)
Which of my bodies will have been the best disguise?